Dominic Sasse
11th July 1955 Crawley Down, England - 28th September 1992 Kathmandu, Nepal
III. Poems of England and Greece
The Jousting Meadow1989
I aim a sharpened pen,
not to attempt mere declaration
nor lyrical synopsis.
My print I press upon the page,
not to humour the iambic metre
nor simply to display
a scholarly control of syntax.
Instead I wish with words to trace,
to snare with ink those skills I Iack.
Honest to be, as Hemingway,
as pure as Pergolesi’s Stabat Mater,
inspired like Lorca to the heights
of Love emblazoned
within the cage of human carnage.
Not only the lonely or loveless might say,
unfair, life would always be.
No Dublin Bay roses to fume the bed
in which we lie, without advice or warning.
How predictable our response to living,
we briefly burn, rarely giving,
unless it pleases our pretence
at grace and wit and fortune
which, like Italian fashions, we crave,
to mask the ordinary figure we cut.
Not only the ugly or unwanted would admit
that random is our fate, our chance to excel.
Impartial is the Muse,
and linnets will not sing to order
nor the astral weeks be controlled,
as we fall toward our dread oblivion.
Untrained, how can we steer a proper course
with heart and mind so designed to disagree?
Yet History offers no hope that we can alter
or trust indifferent Gods to intervene.
In this dissolving present tense, this age
of rape, abuse and raving city streets,
ill-lit as if by consequence, the art of
liberal intention is televised and glorified
by personality. The pouting, painted face
slaps on the fat of social flattery,
intimating essential greed and those inherited
passions which we perform like goldfish gaping
at the glass.
We are the consumers, generation after generation
turned from the same genetic mould, our simple
preconceptions to impose. As ordinary people,
we approve and vindicate the hired hand that holds
out poison for the aboriginal, persecution for
the nomad, intolerance for the crazy, indifference
for the cripple. As ordinary people, with our silence
we allow no alternative for the immigrants nor
the pioneers who slash the secrets of the rain forest
until the mighty Amazon weeps and the violet
sea has no healing power as she breaks upon the
tourist disco shore among syringes and Pepsi-cola
tins, discarded condoms and apple cores.
Yet I am committed,
still continued in this romantic despised vein,
this strange observation of our petty endeavours,
this wonderful awe,
this certain and confused
belief in the heart which bleeds from caring,
which will follow obscure directions in case,
within dross, the Truth is hidden, only to be found
by chance, by desperadoes and discoverers,
insurance agents working for others, religious
students, volunteers working for Third World
causes and illiterate poets singing lyrical
syllables as they stumble in descent towards
this dark age of split atoms, computer logic,
compound chemicals, missiles, glasnost and
implanted embryos.
After the Summer rains
have rinsed and corrugated the earth beneath,
saddening those latticed windowpanes
behind which we all despair,
like peacocks on a branch.
Poignant thought will then intrude,
to diagnose, to slowly express
the crying of flesh, the demands of pain,
our human chains, our social gains,
promises that today might be erased
and tomorrow be elastic and forever.
After the Summer rains
when the skin of plants and bark and grass
exude, secreting scents like Shalimar
or hyacinths crushed underfoot,
as leaves and waxed petals drip in momentary grief,
similar to the sea, impenetrable, consuming, blue,
like you with your hair drawn back.
could you then not say a word, the word to release
all vowels, singing perhaps, singing high,
like clouds after the storm skyscrape the horizon
to suggest, the veiled kiss of providence.
Old men stand and stare,
often without seeing.
Their stance alone, the past suggests,
drinking bouts,
fishing trips,
soft women loved and lost.
A wind to silver the olive leaves,
the reversible moon,
the glycerine sea at anchor,
the blue rhythm of Rembetika
and crushed coriander.
Old men stand and stare at the sun.
In the service of Venus,
I am employed.
At first,
my activities were menial,
to rub the brass and wipe the glass.
In the kitchens I would toil,
to dress the doves in fat and herbs,
to smear their breasts with salt.
Then one day,
I was transferred to the chamber,
to change the flowers in a vase
or sweep beneath the bed.
to pour a scented bath.
To hang out the bloodstained sheet.
At last,
to active duty I was sworn,
never to refuse the gauntlet thrown,
always her devotion to impose.
To charge the jousting meadow
and force my lance between the scales,
another throbbing heart to impale.
I follow no strict pattern
nor stick to any budget.
I obey no religious persuasion.
No scruples or qualms do I have.
I am random and travel incognito.
Our Father who fashioned
the dew to tremble,
the wind to stir,
the sea to rise and fall,
forgive us our trespasses,
as we roam these urban pastures.
Our Father who lent us
breath, sight and song,
yet also fearful passion,
protect us from undue emotion,
flatter not our vanity,
for simple is our human nature.
Our Father who art in exile,
hallowed once was your name,
now cited in vain,
the cause of sectarian murder.
You have led us into Temptation
and left us unable to resist.
Once more reality I must leave, to dream.
to let Time forgive my faults and not forget,
as I have not, the sugared moments spent.
From my dreams I shall rise, unsnared,
as I look up, there you shall be,
by memory enshrined exactly.
Together we shall taste the enchanted past.
Like anointed lovers entwined,
we shall tread that merry avenue of beeches,
their tinsel to shimmer and sway.
Once past the mansion gates I would bend,
to press my eager face into your neck,
where the secret flesh is furred like peaches,
behind a curtain of caramel-scented curls.
Without asking I would pull you down,
with my devoted hands to express,
my fluent tongue to endear.
We would smear our mouths with ardent kisses
and cry out aloud from loving as we lay,
beneath the arches of that careless wanton day.
I shall make a montage,
an impromptu affair, an arbitrary creation,
a subconscious selection of this and that,
collected by coincidence, not matter of fact.
It will be a very modern statement,
both blatant and cryptic,
designed to please the inner eye,
visual yet conceptual and residual,
an immediate mandala, formless but emphatic.
I, the artist, must however be artful,
placing colour, shape and texture,
to suggest the memory and misery of Man.
I shall take discarded fragments of my world,
plastic, polystyrene and printed fabric,
fungus, slate and animal fibres,
toothpaste tops, tropical shells and broken china.
I shall stick them with glue onto recycle paper
and call it something clever like – COMPOSITION.
Starlings shimmer and discuss
upon the frosted lawn.
The earth, compacted, is a tablet
of stone.
The grass is like short, stiff spears,
encrusted,
is emerald,
reflecting.
A pear tree silhouettes
against the pinking dawn.
She begins to bud in an optimistic way,
hinting at the promised land.
Suggesting fragrance,
remembrance.
Yet unmoved I remain,
suspended,
as sad as Troy after the battle.
My hollow heart resonates,
as hopeless as Esperanto,
for the aspects of Love are clouded.
Like November in the home counties
or midday on Hadrian’s wall.
Fir-cones drop lazy on the shingle roof
while ringneck doves announce,
“Moses speaks God’s word”.
Black boys with crimson lips
bowl at makeshift driftwood stumps
stuck into the sinking coral strand,
where sighs the milk-blue sea.
Behind bleached and slated shutters,
lying among geckoes and mementoes
like Newton I dream of theories
as Ursula goes alto,
in tune to the gospel station.
Her broad feet slap in time
like flying fish in the frying pan.
Chewing ice outside the laundry door,
Odessa pulls up her skirts
to fan the torrid, tropic breeze,
sharp as bonny peppers or machineel.
Clovine, slothful in the fronded shade,
peruses Pentecostal pamphlets,
sipping sasparilla through a straw.
As vermillion hibiscus trumpets blow
my white blood simmers and expands,
leaving me breathless and vacant.
Resenting this weight of ordinary flesh
pinned to the bed, my sultry senses ache
and wish for wings like Icarus
while I, impatient, wait to be consumed.
First love only, has mint condition,
to be unspoilt, not necessarily suspicious.
So how does it feel sweet anonymous
now that the flesh has been cut apart,
to reveal the naked savagery of the mind
as we walk upon the path of remembrance,
not guilty but glad that it was such?
Don’t say the words, why let them loose
to accuse and incriminate?
Instead let our romance remain in aspic,
in amber always to reflect,
never to spare me your phosphorous kiss,
like childish favours spent to impress.
Your hair like palomino would brush,
to fall and fan my heated breath.
In a muddy field forlorn,
some sodden tract unfavoured,
five random birches blaze
for no good reason.
They disgrace the black land,
flaunting a primal sorrow,
their slim bodies lent to arabesques.
A nubile poise,
a sensual cavorting
extremely foreign and unenglish,
too liberated, too uneducated.
And, as they dance, they sing,
for Song is far older than Language,
it is the original sound of Being.
Allow me your thoughts and the honest moment
unshared, not just your vagrant lips
pronounced for pleasure, as we walk beneath
the green limbs of haystack summer,
like imaginary lovers walk the well-kissed paths
beside the Seine, like lambs led to the
slaughter.
Allow me your thoughts and the tuppenny dreams
long since dispelled, as we by unrealised forces
are propelled, into the not too distant time
for crying, the living and the lying which
ensures us such devised miseries in store
for those bold lovers who aspire
to the grand gestures of the heart’s unspoken
law.
In return, I must allow you my belief in touch,
tokens, symbols, icons, cave drawings,
visions invented from internal imagination
as our minds rocket forth along the tracks,
between the encroaching world of others
who lie parallel, prone before experience,
as patients do and neighbours do without
touching.
One night I dreamt of palm trees
embossed with runes.
Their coarse trunks stretched up,
like Jacob’s ladder.
Amongst the sticky fruit,
plump angels with Renaissance bottoms
sat feeding on fringed branches,
chewing and spitting out the stones.
Yet I was cast in chainmail
and could not climb.
The poet robs himself of happiness,
his cimmerian labours confound
such opportunity and words only sound
as idealised flattery at best, when hearts
magnetic, will confess from wanting
and uncontrolled, must love easy just
to hurt and moan as orchards also moan
before the blossom ignites.
Grave, sculpted youth should know and take
pity, for what is wisdom worth when love
lords it over all and poets must fall
without hoping, as leaves, burnt and scarlet,
must fall, to fracture and ferment without
choice or opinion, as the dream must descend,
untutored and imperfect, a dream that is
winged and remorseless.
Yet who can see what is hidden or shrouded,
when we in mortal turmoil are so bound
and without rapture trust in touch and sense,
if only to forget and forgive and forward
our petty belief in being today and momentary
as tears provide water to wash and solitary
we ache in time, to internal music and rhyme,
unable to transcend the tragedy.
Without analysis began temptation,
in those previous special days of Eden
when angels walked on solid land,
still visible to ordinary man.
Never we thought of love nor gain,
while lyre-birds displayed
and various fruits hung all about.
Until my neon heart you broke
and bitter knowledge let into my brain,
compelling me with purple promises,
a personal alphabet or rhymes and lies
that drift unfiltered, undisguised,
in the viscous film of luminous eyes,
as you presumed a presence upon me.
In yardarm pines, rooks perch and criticise,
as coloured cattle crop the harebelled meadow,
where fuchsia hedges flounce, unrestrained.
like can-can girls in carmine petticoats.
On sterner ground the sucking bog lies, unfenced,
strewn with random rock and velvet moss,
where whirling grouse glide and echo
over peat-stained lakes and knotted purple heather.
Twelve mountains rim this western province,
stone sisters who still converse, unconcerned,
on Celtic language long unknown to Man.
Their bare shoulders set against the weather,
provoke and pierce the swagging cloud,
to wash and rinse the curving curlew shore,
where colonies of cobalt molluscs grip
and ochre weed flags the tidal pool.
To be caught thus, inconvenienced,
no chance to rearrange the room.
Without a moment to make a face,
to pout the cherry lips
or flush the skin with lotion.
To be caught thus, red-handed,
no chance to conceal true colours.
Without a moment to catch a breath
or grease the heart
to ease its faulting motion.
At last the stubborn sycamores
confirm their true potential.
No longer dull nor ordinary,
resplendent in Autumn’s livery,
they glow and spark like Roman candles,
while whaleboned chestnuts
tear out their hair in envy,
corsetted and scaffolded they stand,
forlorn as fat girls at a party.
Three geese flight overhead
chanting a Siberian chorus.
With slender necks outstretched as javelins,
their smooth hulls rise in unison to cross
the blue tiled rooftops of the Old Brompton Road.
Turning west at the Hogarth roundabout,
they shadow the hybrid gardens of suburbia
and follow the droning motorway out
to the sewage works at Slough.
I should purchase a single to Nowhere,
two stops past the end of the Northern Line.
I would live lucky in Limbo,
leaving a bright future behind.
As a dancer I should step through calamity,
my pyramid face never revealing
the secrets its silences suggest,
for what is weeping’s benefit,
when none escape the tomb and its vulgarity.
If ever I should die to decompose and smell
of shrub roses and mixtures of mould,
tinctures of ash and soda to produce
as Time will brittle and break my bones,
yet moan I shall not, nor throw stones
or care about celestial trombones that play
the forgotten names of Galileo and Florindo,
or Hermes with his smooth loins and cool brow,
his marble kiss would stop my mouth from mortal sound.
Upon an eastern compass point
stands the pilot light at Orford Ness,
to green the shingle street and turn,
to blink again in constant code
for the mute ocean traffic.
Sleek liners with their fairground bows
pass in the dusk, suspended.
December cod and whiting throng below
as squat cargo ships ride anchor,
in the queue for Felixstowe.
Once I thought to dread the day
when words might fail
as rivers suddenly run dry.
Then the tongue’s despair would start
inside its cave, where all words meet,
to practise in turn their syllables.
to audition and perform.
To lisp their brief expression.
To walk the plank into flight,
if fortunate into song.
Yet she who sings of Love,
the lyric soprano, the coloratura,
the mermaid on her sea-hymned rock,
never forgets the voice before song,
the silent word, the wonderful unsaid.
Discarded thus to gleam like bullion,
the unwanted wealth of trees dispersed,
these leaves must roam the pavements.
For Autumn’s pursed mouth will perform,
to blast their molten shape and lift
this season’s mist off speaking water
as perpetual it spirals beneath the span
of bridges we must cross to meet.
From opposite sides our souls converge,
in synthesis we merge, barely touching,
yet your adhesive kiss is positive
though rarely prudent or forgiving
and your ceramic face cannot betray
affairs of the heart inviolate,
like metal your resist,
like smoke you slip away.
Joshua, once the son of Nun,
is now my son, my beacon
to burn back the dark nothing I fear,
the irrevocable years, the souls wandering.
His probity dispels doubt.
His purity negates woe.
His inherited face reflects what is best.
Wide eyes are lit by innocence,
a precious ingredient held dear,
preserved in layers of pristine flesh,
thinner than foil, finer than Greek pastry
scented as the linen drawer,
a pungency of lavender and lemon grass.
I bend over his initial shape
to assume him
as if to draw him in.
I let his milk-fed tongue anoint my brow.
I inhale his untainted breath,
to silently rebuke my brutish ways.
Joshua, once the son of Nun,
is now my son, my beacon
to burn back that certain frontier
where the unfathomed futures begin.
And for the record, I care not,
not for this World as it is now.
Even more I pity our poor children
who must inherit this sorry solar system,
which spins upon itself in Outer Space,
beyond help and without reason,
somewhere below the maiden moon deflowered
as multi-channel satellites continuously transmit
pornographic cartoons and political bullshit.
Let others think what they may,
by presupposing to dispute my truth.
This fragile conviction that I trust,
must defy, sustain and prove the longing.
For time and temper shall not allow,
nor my breath continue to support
the meanness of our Age and values I decry,
this lusting for achievement and promotion.
A hostile climate that derides all virtue,
it perpetuates vain glory and gratification,
to mock the principles of true government
and make the spirit a bygone consideration.
And the price of this State is our expense,
the moral is so Human that I should sob,
to beat my chest and curse my nature,
for Human is my own condition also.
Let others then act as they so wish,
by their example to expose my truth.
Yet this candle that I hold close
must not falter but further fuel the longing.
Perhaps when older, less concerned,
another thousand days and then,
obligations I shall spurn,
all promises revoke,
to follow my devotion and return.
Among the cactus masts erect,
where euphorbias spoke the strumming air,
I shall be there,
a trench to dig,
to fill with past mistakes and guilt.
Then to walk away without a care,
to throat the balsam breath,
to bruise my feet with herbs,
and lie upon the sea-coiled stones.
Without ostentation
I shall expose my breast
and turn the deep blue metal blade
in Sapphic exaltation.
Though damsons still cluster and swell,
dressed in the emperor’s colour,
yet Summer is ours no longer to entreat.
Soon the dipping swallows shall depart
and chill evening keep the damask drawn.
In the park, beneath such sighing limes,
sheep flock to tread their plotted path.
Fey cyclamens play a plaintive tune
as stunted thorns defend the yeoman’s pasture
from plunder by the plough magnificent.
Below the moulded rim of Pentridge Hill,
the mullioned manor stands its ground.
As if to confirm the right of Man,
to rule these copperas acres and demand,
a view unchanged since days armorial.
One day all the great cities will lie forsaken,
our Democracies and Republics replaced
by a wasteland where no buses run.
All our archives and artifacts and aspirations
will be erased by a vast explosion.
One day in the unimaginable depth of Time,
moss and lichen will recolonise our ruins.
windblown seeds will take root to flower unseen,
amoebas will stir like sperm in the warm waters
and the whole bloody thing will start all over again.
Broken China1986
Once I had a languid dream,
of days spent easy as a shilling,
inventing a thousand different ways
to avoid working for a living.
How can I now realise
the pleasure that dream described,
or recoup chances unsubscribed
that the past alone has memorised?
For Time will turn to mock
and change conceit to compromise
as will facts without finance
conspire against an idle dream.
Yet as I saunter unabashed,
best foot forward, hair slicked back,
am I not just the sort of chap
that Fortune often favours?
And Spring will
and needs must fascinate.
Gone is the dull Winter hour,
moody and intemperate.
Hers is the power to surprise,
hers the pouting kiss
that sets my heart upon the spiral.
May time never deny me
the pleasure of her variety,
nor the wet green acre fail to thicken,
nor the sappy bough to blossom
as on sweet air the cuckoo calls
as if in fond memory.
And Spring will
and needs must consummate.
Gone is the good night’s sleep
as tomcat desire awakes.
The blood sugar levels quickly rise
to promote sensation
and irreverent hymns fill my head.
May time never disconnect me,
nor retard my heart from feeling
that Spring has sprung me
as if just for fun,
leaving me in pawn to the Summer,
counting the days one by one.
Once I was innocent,
as the tree in leaf,
as the shape and size of stone.
Like wild honeysuckle I flowered
just for the hell of it.
No longer that natural arrogance
or sense of devil may care.
Lost also that easy enthusiasm,
all victims of despair.
Now I am adult,
as fickle as frost,
as smart and sharp as a radish.
I care to amuse only myself
but think little of it.
It’s not just a question of appearances,
for within a frame of gilt varnish
we all play a dishonest game.
In order to win we avoid sentiment,
striking hard where it hurts most.
We change the meaning to suit the stratagem
and wave goodbye to shame.
Too weak with myself, too easy on others,
I too have indulged in snobbery
and thought myself better than most.
When in fact I’ve turned to fat,
gone to seed, fallen for false luxury.
Without the courage of my conviction
I have no cause to boast.
It’s just a simple matter of awareness,
to accept Truth and acknowledge Reality.
We are individual, we live and die alone.
Innermost feelings we cannot communicate.
We must take the blame for our behaviour
as there is no higher supreme authority
with the power to condone.
It’s asking too much,
to live in a room without a view.
There should be a prospect of trees,
twin lines of pollarded limes,
gravel paths and clipped yew
and pagodas in the distance
fronted by herbaceous avenues.
I should find this formality no restriction.
In fact it would free my thoughts,
the same way as drink liberates my diction
and be an ideal for muse and contemplation.
How could one refuse such elegance its due
and not while away the drowsy hour
as butterflies flirt over pillar and urn
and shrub roses scent a shrouded bower.
Last night the wind blew,
to dismay the darkened hour
like corrugated iron cracked
or sandpaper rubbed on glass.
High-pitched, unscrupulous, unkind,
inevitably a melancholic refrain,
it repeats to play upon my mind,
just as the darling scent of you
might keep the lonely from their sleep.
Day brings no relief
except the wind worn out of sound,
a subtle tune without the temper,
almost tender it recedes,
to just a rhythm of the heart
and the breath that feeds the brain,
as I lie pressed upon the sheet
like petals are upon the page,
their juice, my sweat, to stain.
Neither too soon nor too late,
still I must awake to memory,
to salute the moment passing
and to love with energy enough
to fashion one thing lasting.
For we are cursed with belief
yet hungry only for achievement
and dominated by our desires,
are unable to withstand bereavement.
With a superb campaign Nature will conquer
every ditch and bank, every wall and hedgerow.
With ease she will glorify the living,
for no financial gain she fruits and flowers.
With an elemental surge she responds
to fuses timed and set ready to ignite.
Without fail her green passion strikes
and now its crazed activity must substitute
for the love that Man has long since lost.
How could we catalogue and record such abundance
yet miss the meaning of its rare variety?
Without policy we would still think to profit
as regardless of the future we continue
to corrode our singular world with clever poisons.
Eager for complete control we heed no warning.
From this Earth we take without discrimination,
delighting in greed, waste and exploitation
as if just to prove a scientific domination.
No doubt we shall attempt to harness the Sun,
to provide an alternative to the nuclear bomb.
We’ll populate the stars with programmed robots
and grow rice under glass in the Gobi desert.
But first we’re entitled to have some fun,
to hunt the barnacled Humped-back and her young
with computerised sonar and the harpoon-gun,
even though their screams must seem to play
the last post for our own endangered species.
Dark clouds, appropriately purple,
dominate the palace and dull the symmetry
of brick and glass behind which once
Mary was matron and William was orange.
Their Italian garden, ornate but empty,
now reproaches this more dreary age
as disconnected fountains no longer play
and muted pigeons in solemn queues
take shelter from polluted statues.
Yet elsewhere the willows bud and burst.
Upon the banks their saffron shoots hang
to drape and float the torpid Serpentine.
While the saucy crocus prostitutes herself,
snowdrops chime below the vaulted chestnuts
and a busy nuthatch haunts a dripping lime.
This then must surely be my favourite time
for inconvenient rain has stalled the crowd
and left the park alone to me and mine.
Let’s set a match to the magnolia buds
as they kneel upon the branches
like saints saying prayers.
Bent in supplication and adoration
they will suffer in good taste,
so catholic, I do not wonder.
But then I’ve seen Jesus too,
on top of a hill above a harbour.
I’ve been to the seaside
though the tide was out and the crabs gone.
I’ve slept out in the open,
struck dumb by the speech of trees.
Let’s count cherry stones
or play sardines perhaps,
throw our arms around imaginary objects,
stomp, hop and burn our regrets.
Let’s take a one way ticket to your bed,
to giggle and tell fairy stories.
Remind me that this is just a mood,
a way to bypass other memories,
to hold madness by the stem,
turning it to catch the light.
It’s all a matter of timing,
shout for the Devil and he will come.
Don’t mention love or say you understand
that would be much too underhand.
It’s too late to accept a slap on the back
or a first eleven cricket cap
for we are the Cold War children,
born into a world without a future.
All that’s been written is riddled and scribbled
and I am reminded of strange inconsistencies.
How misshapen and unattended some of us are,
as lonely as lepers we’re beset by complexities.
We are made vulnerable to love’s sweet stupor
and the threat of losing or failing to impress,
but even fear has a limit like water has a level
and pain is the preparation that tests our mettle.
Strong in wind and limb, yet still unbalanced
I, a local hero, live in human imperfection.
I drink and smoke without due restraint
and will often indulge in uncouth conversation.
In discontent I deride the dreary week’s routine
as devoid of charts I drift on a raft of dreams.
So please think kindly if ever you consider me
for isn’t compassion the finest of the arts?
Here the Oleanders flourish
and their pink tongues flatter.
Could it be a dream, these simple facts,
the pinkness and the energy of passion
when all else is defeated?
Olive trees quicken with the year.
They hold the tilled ground
and support the sacred Mystery.
Panayotis sits astride his white horse.
Gaily he tips a straw hat,
his greeting fills the valley.
Dogs bark freely without concern,
only to upset the silence.
As evening, mauve, descends,
swallows collect as to a magnet.
On the red rock shore,
an agony of waves washed up
underlines my small sadness
as the moon reminds
that Love is but a mirror
to a climate of senses,
far beyond haphazard thought.
Shooting-stars are not unusual.
In luminous flight they fall,
to splinter on the mountainside
as I, listening, lie,
my mind absorbs the Milkyway.
I took the road to Yerakas,
a dirt road both brutish and insistent
which clings at first to the coast,
enticed no doubt by rumours
of nymphs awash in caves.
There upon the gargoyle lava shore,
Sun and Sea meet in explosion
to shatter and spark,
as the smelling flock chimes past
to break the myrtle and mount the rocky path.
The road then falls between dry stone walls,
in pewter shadows thrown,
where prickly pears stand and crowd,
fruiting and rotting, crucified by spines.
A greenfinch calls from a carob tree.
Too soon perhaps the road reveals
houses trimmed in blue and white,
a bravado that does not impress
the mountains, who have no interest
in petty dealings or the trivia of men.
Fishing boats with painted eyes
bob and sway upon the inner bay,
where late in Summer’s season
flamingos sieve the wild sea grass
and preen on pink enamel legs.
I, another visitor in foreign plumage,
lounge and ape in local posture
and careless of time I am content
with my idle custom to patronise
and frequent the famous tinted wine.
Demetrios is a philosopher,
a part of all he surveys.
His hand fits the glove.
His heart is as large as a watermelon.
He works and walks and gives,
as simple as sweat.
Without cause for artifice
his face denies deceit.
His heart is concentrated
with an ease of mind.
Purple figs burst in a plastic bag.
Tomatoes are a weight in his pocket.
These are gifts to be given,
the fruit of his labour,
the practice of his philosophy.
Upon leaving he waves.
As he climbs the mountain road,
the sun recreates his shadow
and his heart is as light as a fennel seed.
Along the scattered tide line are definite signs
that confirm the inscrutable sea omnipotent.
Contorted driftwood piled in disregard,
curious lumps of cork sucked and shaped,
peach stones, spiny urchin shells and glass
that sparks in suitable shades or aquamarine.
A Spanish fruit box smashed, a fisherman’s cap,
branches in full leaf bent and snapped,
knotted rope, nylon net and curls of melon skin,
a doll’s arm, severed, still waves a tiny hand,
a broomhead, a bow-tie, an orange sandal strap,
all these thrown strange and awkward on the sand.
While on the pebble shore, beneath prehistoric cliffs,
yellow poppies presume to gaily flirt and bloom,
loose coils of purple oily weed collect
and the tireless tide repeats and foaming breaks
on fossiled rocks where naked and amazed I sit,
to ache for the loss of such a world unspoilt.
Confuse me not the Cypress.
for neither am I straight nor tall
and mine is not a rigid position.
I cannot confirm the landscape
or lay claim to the Classics.
I wear no clever pointed hat.
Surely there can be comparison,
for I achieve no desired effect
nor conform to a formal design?
I cannot complement the ancient ruin
or stand strictly to attention
for time upon time.
Trees do yearn no doubt and feel.
Indeed often they will sigh
and the willow can, without reason, cry.
These talents then to some,
a likeness might suggest to me, perhaps,
but certainly not the Cypress.
From this wicker chair I watch
the sea transform and vary
from silk to metal and meringue
ss sudden as the breeze
that rubs the bamboo poles,
to fan their braided plumes.
The sky, a roll of cloth unfurled,
a vast blue flag,
stretched tight from side to side,
is now compressed.
The mountain’s mood and the cloud
confirm a changing season.
The donkey, dumb before,
now trumpets from the arid hill.
Thus invoked, the aching valley echoes
as flights of finches scatter and swerve
as fast as fish to catch the light,
to taste the air that I do.
Panayotis stops work.
Lifting up his head he prays for rain
as from the burnt grass cicadas sing
and twisted olive trees complain.
Theodoras sleeps in a turquoise room.
Magazine pictures of Audrey Hepburn
and views of snow-capped Switzerland
are pinned above his metal bed.
He waits for the cool of evening
and trident and mask must also wait,
for the wind to change, the dea to calm.
Awake, he pulls on a purple shirt.
An optimistic colour to suit a mood.
Without rush or worry he will walk
the rutted road behind the church,
down to the taverna’s lazy welcome,
there to reclaim his accustomed place
in the shade of the leaning mulberry tree.
Once seated Theodoras will not move.
His position is a trusted landmark.
An allegiance to Neptune confirmed
by the peaked cap, the walrus moustache.
Inwardly he applauds the passing day
as smells of garlic and onions simmer
and the dying sun discards its glamour.
In this same valley of the lemons
which fruit as firm as soap,
to hang bitter from the branch,
some say that Ritsos, the poet, once lived.
Not in this house but that forgotten farm
set back below the hill, shuttered and still
except for two bullocks tethered in the stall,
restless from the heat they stamp.
In the yard goats and chickens move.
Aimless and unsurprised they take no notice
as in the shade of the carob tree,
a child’s swing creaks, empty.
Rolled in dust a sow sleeps
as the rampant fig, outstretched,
without conscience drops its honeyed pods
to burst and lie flyblown.
Down by the dried-up riverbed,
rows of okra and red peppers flower
while melons squat and swell,
a lizard basks, emerald, on the hot stones.
When now his eyes half close,
Yannis Ritsos can perhaps still see
and from dear memory describe like me
the spirit of this particular country.
For here the Muse draws breath,
to excite with ease the poet’s heart.
She enters through an open mind
to provoke and prompt the Poet’s art.
This morning forgives all ugly reflection,
the inarticulate fear of night forgotten
and no bruises mark the waking mind.
For my memory is now calm, becalmed
like a sargasso of magenta and green weed,
only stirring in slow motion
as the sun provides a shining example
of how to be, just simply be.
The light here is so different.
It completes a vivid landscape
and when the sea and sky converge
to transfuse and leave us no horizon,
it inspires to heighten the emotion.
It incites the dull brain to thought,
to contemplate a life without conditions,
a life without limits for the living.
Innocence might be the gift of angels
but we too if wished could fly
in the dreamworld that most deny
where the gods will talk to men,
to influence and direct our imagination.
Thus to liberate the lonely spirit
as it waits in hunger for release
from these two feet on the ground.
I stand at the window and stare.
Traffic roars impatient down Ladbroke Grove,
kicking up the rain that never stops.
For this is the middle of May and now
the sullen promise of Summer cannot excite
us who have no faith in Merry England.
But then with the flick of a switch
the ready mind returns to inhabit
another climate where memory can reproduce.
The clink of glasses, Retsina’s cheap salute,
those filthy cigarettes smoked compulsively.
Red mullet rolled in flour and fried.
Black olives that sweat on a cracked plate.
Bright blue tables stand askew.
Geraniums flower profusely in disused tins.
Bazouki music moans from a radio.
Costas shouts from a dark interior,
pointing at the sea’s enchanted view.
Octopus hang scarlet to drip from a line.
A dog lies chained to a Tamarisk tree.
A bus shakes past blaring its brazen horn,
throwing up dust from earth and dung.
The sun like a hammer cracks the ground.
Pomegranates fruit and fall forgotten.
Pigs root loose beside the open road.
Lula plants onions down below the house,
as she squats, cockerels run between her legs.
The telephone then rings a tactless tone.
My mind recoils, its inner landscape lost.
A siren threatens violence on the street
or just some suburban drama to resolve.
Ordinary people pass by unconcerned.
Cherry blossom drops sodden to the pavement.
Concrete lamp posts, rigid in the rain,
stand deliberately so devoid of style.
Somehow they make a very British statement.
If I was to say could I
put my hand up your ripple-silk skirts,
would I be called cheeky?
Must I first throw stones and serenade
before I climb to your midnight window?
Must I stutter prayers of love
and wrap you in a cloak of praise?
Or play the silly courting game,
to walk always two steps behind
and drool when you call my name?
No way if that’s the price to pay
for riding the Rocking-horse.
Let the Devil take my Lady
laced tight in her frills and finery
for she won’t get even an inch of me.
I shall not savour love’s spilt milk
nor sift the fragments for missing clues,
for in this case I need no evidence
to prove beyond doubt we both shall lose.
And though the heart still will beat
and the calculating mind compile
neither will be tempted to repeat
the cross-examination or the trial.
Time cannot reverse the facts nor foretell
the price to pay for loving so well
and though memory has a habit of retaining
only what’s best while erasing the rest,
I shall remember forever your face fallen,
under the damp blue wing of evening
like a dead bird, stiff and frozen,
once you knew our goodbye was final.
In our case it seems,
love holds pace regardless of distance,
holds faith without fear of consequence,
it is the rope that binds us.
Time cannot diminish this fact
though Fate inevitable shuffles the pack
and deals us different chances.
In your case it seems,
age only hardens love’s foundation,
firm already in purpose and design
while practice has brought to you a patience
that no petty doubt shall undermine
and through the process of propagation,
the bulb shall flourish and its flowers entwine.
Yet in my case it seems,
love’s condition reconfirms the dream,
only through surrender does it allow
my mind to find the reason why
love demands much more than it supposes
as I still on the ladder climb,
upward to love’s bed of roses.
The bed I was born in holds few memories
except when muscled down the avenue of palms.
Spilt from the sack and forced out into the storm
I was aware only of your flank of flesh and light,
bright upon my inarticulate form and Summer,
nailed like planks boarding up the window.
Looking back later down the telescope of Time,
without mistake I can retrace the fine line
you sailed through a maze of chintz rooms.
With the scent of French perfume on the stair
and a strawberry kiss framed by blonde hair
you stopped to rearrange some lilac blooms.
I would tag you with a deliberate pace
and my eyes would never leave your face
nor my hand let loose the apron-string.
Linked by an invisible umbilical
thus involved we were inseparable
for my first love was a desperate thing.
Among the late-night faces I sit
and play the sorry Romantic.
Within a passing cloud of wine fumes,
I burn like a cheap cigarette.
Knee-deep in withered petals,
I dine on a simple diet of memories
thrust like slithers of sharp glass
into the flesh of my bitter aloneness.
How I wish love could be non-toxic
for then when next my heart short-circuits
I need not feel quite so lovesick.
But I am determined to seek some redress
to compensate for such unhappiness.
Perhaps I should hire the Three Musketeers
and send them round to make you confess
to the crime of unattainable loveliness.
How can mere blood and bone contrive
to house such characteristics,
the silken flesh, the sweet-pea breath,
clean shapes of face and form,
a vital charm of changing features?
Add to this the brain and its secret work,
the control of thought and action.
Also a sense of colour, dream and dance
and an inherited complexity of moods,
all this in one small person.
I never cease to wonder and reflect
for mine she is, I claim her,
the consequence of love and longing.
Forgive the foulness of this conceit
but how could I have wished for more?
From a rock-a-bye cocoon of quilted sleep
she wakes surprised to meet the morning.
She opens a window to hear the rain
and waits undressed except in flesh
until last night’s dreams disperse
and the female senses are refreshed.
On tiptoe she steps into seamed stockings,
a peardrop bottom swung on a sway of hips.
She bends down to slip on her shoes
and her tilted tits tense and tighten
as they push against the printed blouse,
silk upon silk yet beyond comparison.
Without premeditation she can provoke
my eager heart to convulse in spasm,
as desire like a chemical injected
travels direct through a system of veins.
Quite without warning it can strike
even in car parks, lifts and trains.
What has all the skills political,
to confront the mind in debate
yet still remain physical?
What without candour outwits all opposition
or without morals will sabotage the heart?
Love would seem a perfect answer
as among tumbled sheets I lie,
the stranger by your side,
unable to resist your lava kiss
like a blister burnt on to my lips.
But instinct surely should suggest
small profit from love’s rapacious process
as I, inflamed, am torn in two,
a victim of the heart’s barometer changes,
wanting and not wanting you.
So please notice this poor Romeo,
how with his reason undermined,
no attempt at freedom makes.
He cannot help but play love’s game
yet fears not that his heart might break.
Here I stand on two legs bent
beneath a weight of bad blood,
revealing a ragged life,
concealing the disease of death.
Here I stand betrayed by the mind,
ransomed for a wealth of dreams,
tied in a sack and thrown far out
into an empty space.
Retrieve, restore, revive me.
Let me suck the syrup of your kiss.
Let me lie inside your scented flesh.
With your touch unbind these straps
that keep the darkness in me
and with your love redecorate
these walls that surround me.
I sleep alone at night and pause,
suspended, somewhere below Heaven,
loose at last from this Earth.
Yet in the early hours I startle,
lying flat my body concentrates,
electric and alert from fear.
Still I reach out a needing hand
though I know you are not near.
I wake to find resolution undermined
for in the dark, doubts conspire
to cancel hope and not encourage
the love my tender heart would nourish.
Ordinary sounds somehow magnify loss.
a door slams on the stairs above
and voices laugh in the lamp-lit street.
They disturb the abstract pattern of my dream.
There in longing you lounge
like a bright silk curtain
drawn across the window of my mind
while little memories like broken china
fit together, cleverly glued
with a mixture of misery and desire
and the smell of your sweat returns
like cut Dahlias to scent the room.